Tonight, my strategy for battling fatigue and frustration is listening to Regina Spektor in a pretty dress and drinking tea. I've already watched one Canadian chick flick ("Sabah" - quite good, really) and am trying to talk myself into going outside and walking to the east village to have champagne with my scene partner, the fabulous
Vin Kridakorn, with whom I auditioned for The Actors Studio today. How did it go? How do we feel about it? We're asking you, because we don't really know.
However, the east village feels very far away right now. My forearms and shins are covered in bruises from two heavenly days of filming martial arts stunts for a book trailer: "Original Sin," produced by Escape Goat Pictures. Tomorrow is the first day in almost three months that I haven't had to be somewhere/leave for somewhere at 5 or 6am, and all that's on the books is one appointment with one student and one hour or so of recording some voice over for the trailer. Do I get a day of summer?!?!?
(Escape Goat Pictures at work in the rain)
Guys I am so thankful for all the opportunities I've had lately. Getting to do the action sequence for "Original Sin" was a dream come true and, I hope, an excellent beginning to a career of heroic roles full of danger, intrigue, and spy moves.
Escape Goat Pictures ran an impressive set, with only 3 guys doing EVERYTHING from setup to tear down to 2-camera filming to choreography to makeup to sound. They filmed the entire thing in 3 days, and will finish the entire project after only 2 days of post/edit. Um, amazing. It really does inspire me to see how much people are capable of accomplishing when they set themselves to it.
However, tonight I don't have any desire to set myself at anything. Except maybe a jug of ice cream. Or a handsome Scotsman (see picture). Or, even better, a bottle of scotch. OR - a bottle of scotch WITH a handsome Scotsman.
(handsome Scotsman Gerard Butler could probably motivate me to go outside)
There's something about long-anticipated, much-desired auditions that really takes it out of me. I was actually nervous today - something that rarely happens anymore. Maybe it was because I knew Ellen Burstyn was one of the judges (!!!!!!). Maybe it was because I've spent the last 4 years working towards this particular audition. Maybe it was because suddenly, 20 minutes til "go," my tear ducts stopped functioning and my inner well of feelings/experiences to draw on seemed to run dry. My friend Marco Agnolucci summed it up pretty well when he said that at today's audition, he felt like he had regressed about 6 years in his acting skills. Me too, and all I can figure is that it was nerves. What is it about auditioning? Today I left feeling less like I was ascending into the clouds of artistry and more like I was scaling a barbed wire fence naked. Ouch.
In a way that's what's so beautiful about acting. It's never the same thing twice. The preparation that worked perfectly last night literally might not give you anything this morning, and the part you auditioned for might not be the part you get. What you thought might be your big break might be a flop - or it might be your big break. You never know! It's so weird! It's so unpredictable and exciting. The main thing is to be yourself and enjoy it, and once in a while to do some kung fu stunts.
(on set for "Original Sin")
So why, every so often, do I get into an audition room and feel like my body is suddenly being operated by a somewhat dimwitted space alien who does not have my best interests at heart? I feel like a bewitched, besotted teenager under the power of her crush; like a hot and bothered country girl at a hootenanny who just lost the dancing contest; like a befuddled old professor who suddenly can't make out the words on the pages of his favorite book. Once in a while, the familiar landscape of my artists' body and emotions feels like a foreign object on which I am a sojourner and passenger instead of the possessor or captain. Thank god that what we do is a craft and not just a mystery - not that it isn't mysterious. But I am glad there are some brass tacks, blueprints, and maps to cling to in those off-kilter moments: breath, connection, need, script, character, listening. Keeping it simple is sometimes really hard, isn't it? Human beings are pretty unfathomable creatures.
In sum, I'd like to say to all you artists out the
re: you're pretty awesome. What we do is a roller coaster, but SOMEONE'S GOT TO DO IT. We are blessed with the task of actualizing and acting out the impossible, not just for ourselves but for everyone. Some days it is glorious beyond glory. Some days we feel used and abused and bruised. Some days I feel a bit foolish. When you find yourself questioning where the love is in your difficult day, remember the joy, passion, bravery and adventure of it all. Every step forward is, in fact, a step forward - and every audition, whether you get it or not, is positive progress. At least that's what I'm telling myself tonight.
Here's to you, artists! Here's to sticking your chin out, half hoping you get punched, half hoping you get kissed. As my Dad says, you can't expect a golden ring every time.
It can't have been all that bad - look at us smiling after...
(Escape Goat Pictures at work in the rain)
(handsome Scotsman Gerard Butler could probably motivate me to go outside)
(on set for "Original Sin")
re: you're pretty awesome. What we do is a roller coaster, but SOMEONE'S GOT TO DO IT. We are blessed with the task of actualizing and acting out the impossible, not just for ourselves but for everyone. Some days it is glorious beyond glory. Some days we feel used and abused and bruised. Some days I feel a bit foolish. When you find yourself questioning where the love is in your difficult day, remember the joy, passion, bravery and adventure of it all. Every step forward is, in fact, a step forward - and every audition, whether you get it or not, is positive progress. At least that's what I'm telling myself tonight.
