|"Otto and Ludmilla" on location in Time Square|
When it happens, it's the best. For me, this week's shoot of romance "Otto and Ludmilla" was a laboratory for chemistry, with an incredibly fun and professional crew (who spontaneously burst into beat-boxing dance parties and sprinting contests, among other things), a moving and beautiful script, a collaborative director with a vision, and a deliciously talented co-star who made me feel incredibly safe and comfortable on a journey into scary places on and off camera...wasn't too shabby to look at, either ;)
|cast and crew of "Otto and Ludmilla" on location in Brooklyn|
It was SO AWESOME TO DO, to stand in the shoes of two characters who, as director/writer John C. Williams describes, repel and snap back together like magnets. They are opposite poles of one current, fluxing and locking and sizzling and cooling. What they have can only be called a "thing."
|John C. Williams blocking "Otto and Ludmilla" with DP Eric Balgley|
To me, one of the great draws was the challenge of role-reversals. Actor Brandon Johnson and I worked in tandem, taking turns hurting and being hurt by each other as star-crossed lovers Otto and Ludmilla, or Lotto and Otmilla, or...whatever. It's amazing how the connotations and relationship shifted depending on the gender of the person saying the same words. Needy or romantic? Jackass or conflicted? Whether a person has experienced this type of deja-vu, cyclical, addictive, intense relationship or not, these characters nakedly reveal the loneliness, lovableness and hunger for contact that I think everyone can relate to. And I'm already missing them.
|myself and co-star Brandon Johnson in "Otto and Ludmilla"|
Dear Otto and Ludmilla people, you're grand. I can still feel the heat. Don't know if you felt it, but for me, there was real chemistry happening. You know, chemistry: the science of matter and the changes it undergoes. On this project, I felt changes. I felt expansion. I felt gratitude.
|photos by our amazing producer Patricia Henry|